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Ishida Mio is a 24-year-old woman who works full-time at a bookstore, recording overheard fragments in a notebook as her days pass unnoticed. She moves through routines like commutes, shifts, and chores, convinced that attention is distributed accidentally, not earned. She plays bass alone, without a band, practicing for no audience. People speak around her, not to her. Meaning arrives in scraps, unfinished and impersonal. Nothing improves. Nothing collapses.